‘Doctor Who: The King’s Demons’ (1983)
It feels like an absolute age since I last did one of these posts because, well… It really has been a while. A fair bit has happened since then but some things still remain the same. Every now and then, I pop my head round the door of the Lewisham CEX and see if they have any ‘Classic Doctor Who’ that I don’t already have. If they do, I’ll buy it, watch it then post about it here; it really is that simple ;o)
All of which brings me round to ‘The King’s Demons’, a story that I hadn’t seen since it first aired back in 1983. I was only seven at the time so could be excused for not remembering much more than a cool looking robot and the King singing a song. And then I watched it, the other night, and realised that those two bits were the only two memorable moments in the whole two episode story. At least this proves that my memory isn’t completely shot then but even so, a very disappointing story to sit through. There will be spoilers, just so you know...
England, March 1215. King John is visiting the castle of Sir Ranulph Fitzwilliam. The arrival of TARDIS disturbs a medieval joust, but the Doctor and his companions are proclaimed to be friendly demons by the King, who seems strangely interested in their ‘blue engine’…
It soon becomes clear that neither King John or his champion, Sir Gilles Estram, are who they pretend to be. One of the Doctor’s oldest and deadliest enemies threatens the future of democracy on Earth, and he must be stopped!
‘The King’s Demons’ looks stunning, from the medieval set all the way to the robot Kamelion itself (which looked awesome then and still holds up well on viewing today, at least from where I was sat). Chuck a nicely choreographed sword fight and you’ve got a story that looks like it has potential. It’s a real shame then that the plot doesn’t come anywhere near to matching the scenery. The Master can always be counted on for a bit of scene chewing and a devious scheme but this time, Anthony Ainley only manages one of these. Scenery is duly chewed but a strangely subdued plan to sabotage the signing of the Magna Carta is a real anti-climax. For a start, humanity is more than capable of screwing up democracy all by itself; all the Master needed to do was come back in a few hundred years and marvel at how much we hate ourself as a species. More than that though, this just seems like small change to a villain who normally aims for a lot more, it’s like he’s just practicing to keep his hand in…
And a lackluster ‘evil scheme’ results in a lackluster ending. The plot had already more or less been reduced to people hanging around awkwardly, in various parts of the castle, and discussing why the King was somehow in two places at the same time. It ends with the Doctor and the Master having a ‘stare-off’ to determine control over Kamelion and… It ends just as you’d expect.
No wonder I couldn’t remember much about ‘The King’s Demons’, it has to rank as one of the least memorable ‘Doctor Who’ stories that I’ve seen. Oh well, I’ve got a few more to watch so hopefully the next one will be better.
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