'Phobia' – Guy N. Smith (The Sheridan Book Company)
Last month saw me do pretty well at getting through the pile of books that I'd set myself to read; I haven't done quite so well at reviewing them quickly but it is what it is ;o) I've got one more book to go, after this one, but right now we're all about Guy N. Smith again, this time with 'Phobia'... If there's one thing that I've learned about Guy N.Smith's output (other than that it was more than sizable and that he really knew how to hit all the pulp targets for his readers), it's that he wasn't afraid to make his mark on whatever area of horror he thought he could turn into a book that would sell. And fair play to him, I think we all wish we could be a bit like that. So far, I've come across giant crabs, eco-horror, giant insects and even Communist zombies (well, kind of) but I'd yet to read a haunted house tale... Until now. 'Phobia' is that tale and it's not a bad one either.
Number thirteen Schooner Street was a typical
terraced house in an up-and-coming area of south London - or so John and Leah
Strike thought when they first moved in with their children. But then the
nightmares started - vivid, harrowing images of gruesome violence that tore
into their consciousness leaving behind rabid, phobic reactions to the simplest
of everyday things. Caught in a web of their deepest fears - too scared to
leave home, too terrified to remain - reason told them that the only thing to
fear was fear itself. But then the terrors that festered in the shadows of the
evil house took on a life of their own - and the grisly killings began …
I’m no expert on Guy N. Smith’s books but I think I’ve read enough
now to have a decent idea of what he’s about. With that in mind then, I was
interested to see how this would translate into what sets out to be a haunted
house tale. Could these two strands work together? The answer is yes, ‘Phobia’
is a vicious blend of ghost story and horror which is very readable at the same
time.
The treatment of the ‘Haunted House’ theme makes for a refreshing change
here as 13 Schooner Street is haunted not only by Joseph Nason but all his
phobias as well; this effectively doubles the fear and tension, running through
the book, as John and his family must deal with a supernatural attack on two fronts.
There’s a little imbalance here as Smith saves Nason up for the concluding scenes
but his treatment of the ‘phobia hauntings’ (not sure how else to say it) make
up for this as he really gets inside the heads of the family and shows us how
these phobias attack them at the core of their being. The build up and payoff
are both paced really well, holding your attention almost perfectly as events
play out.
It is Guy N. Smith we’re talking about so there are a lot of
familiar things here that you will have come across in his other work. For
someone who likes to include a dash of illicit sex in his books, Smith is
surprisingly moralistic about how this affects the eventual fate of certain
characters. Basically, if you cheat on your wife then you will be punished in
one way or another. That’s very much the case for John Strike and there is a
subsequent air of inevitability, to the plot, that kept me reading (John isn’t
particularly likeable so I wanted to see him get his comeuppance) but at the same
time, also robbed the book of it’s ability to surprise (just a little bit). ‘Phobia’
very much has the capacity to shock but I was able to work out quite quickly
who was going to die next etc so the tale did lose a little something in the
telling. Smith also has a habit of punishing his main character by doing bad
things to the supporting cast which fits the situation but always seems a
little harsh in the case of the ‘woman whom the main character is having an
affair with’. I’m still not a hundred percent sure about how I feel about this,
especially in the case of Ruth who is clearly set up to be a shocking moment,
later on, and not much else. It serves a purpose, for a quick pulp read, but
doesn’t feel right introducing expendable women into your plot, just to make
your reader gasp when something happens to them. I’m also thinking that the last
members of John’s family deserved a little more than the ending they had.
There’s a bit then that doesn’t sit well in ‘Phobia’ but on the
whole, this is a book that achieves what it sets out to do; tell an unsettling supernatural
tale with a dash of horror to shock. One of Smith’s better books, at least from
where I’m sat.
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