'Baal' – Robert McCammon (Pocket Books)
The
last time I saw a copy of 'Baal' would have been just over fifteen
years ago when I worked as a cleaner in a psychiatric hospital. I
wasn't the best cleaner that hospital had ever had, especially not
when I came across 'Baal' and spent most of that particular week
reading when I should have been cleaning...
Never
saw another copy after that, not until the other day when I was
browsing eBay (trying to find alternatives to Guy N. Smith) and came
across 'Baal' at a price that I could afford. It was the work of but
a few moments to buy the book and the work of about a day to read it
and see whether it was the book that I remember reading all those
years ago.
'Baal'
isn't a bad book but it's not the best of McCammon's work that I've
read, not by a long way...
From
the seething cauldron of the Middle East, his followers burst forth
in unholy fury...
He
is the foul seed of evil, the dark prophet who sees what is – and
creates what always will be. Across the earth, he spreads his
fiendish blasphemy, unleashes his holocaust, proclaims himself
messiah. But he is Baal, the prince of demons. Fear him, he will
never be destroyed...
Before
I talk about what I thought of 'Baal', I ought to mention that the
book opens with a pretty brutal rape scene at the end of the first
chapter. If this is something that could act as a trigger for you
then 'Baal' is not the book for you. Anyway, it's up to you.
And
back to the book.
For
me, 'Baal' was a real shot in the arm to begin with. There's a dark
energy to the prose that makes the story almost crackle and tear
along as Baal grows up and comes into his power. McCammon is not one
to shy away from really going deep down into what evil can be and he
approaches Baal's early years with that in mind. It can be a
difficult read at times, especially in the orphanage, but the power
behind the prose totally had me hooked and there was a real sense
that the novel was building up to a finale that would be awesome.
And
then Baal grew up and the story slowed right down. I mean, right
down.
I
don't know if it's the 'point of view' switch to another character
(an old man who's a bit slower on his feet) or McCammon's seeming
decision to put the plot on the back burner and concentrate on
showing his reader, in some detail, just how vicious and blood
thirsty people can be, basically loads of graphic scenes that don't
do much at all for the story but do look the part, that kills the
momentum of the story. What I do know is that momentum bleeds away
very quickly and what we're left with is a story that plods along
amiably when before, it snarled.
The
momentum went and with it, any sense of urgency. When that went, I
found it very hard to be scared like I was at the beginning which was
a real shame as those opening chapters promised an awful lot of
scares. The ending attempts to make up for this by delivering a final
battle between good and evil, personified , but the preceding trek
through the Arctic wilderness killed that as well. What was
interesting though was wondering whether a single line at the end of
the book was meant to set up any sequels. I suspect it wasn't but it
could have been and it was certainly worth considering where the
story could have gone next.
'Baal'
is a tale of two halves and if it had stuck with what made the first
half of the book so compelling then it would have easily been up
there as one of my favourite McCammon stories ('They Thirst', by the
way). As it is though, 'Baal' is a fun read but not an essential one; more a lesson in why you should always pace yourself...
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